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Image Not Available for man’oeuvre
man’oeuvre
Image Not Available for man’oeuvre

man’oeuvre

Creator Jayce Salloum (Canadian, born 1958)
Date1985
Medium9 chromogenic photographs mounted to masonite
DimensionsOverall: 75.7 × 101.2 cm (29 13/16 × 39 13/16 in.) each
Credit LineGift of Jayce Salloum, 2021
Object number2021/307
LocationNot currently on display

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Image Not Available for various things, market, Las Penitas, Nayarit, Mexico, 1/7/16 [DSC4000]
various things, market, Las Penitas, Nayarit, Mexico, 1/7/16 [DSC4000]
Jayce Salloum
2019
Photograph
Image Not Available for 48 separation What are are we looking at through out a direction (or) focus. in-between the street the produce what exemplifies the notion that of inclusion, which is in the picture what is seen allowed to be seen Sanaya/Sanayeh Park and produce vendors (from inside of the Fiat 1800 or a taxi), up from Hamra, Beirut, 1992.
48 separation What are are we looking at through out a direction (or) focus. in-between the street the produce what exemplifies the notion that of inclusion, which is in the picture what is seen allowed to be seen Sanaya/Sanayeh Park and produce vendors (from inside of the Fiat 1800 or a taxi), up from Hamra, Beirut, 1992.
Jayce Salloum
1992
Photograph
Image Not Available for 5 at what was once one of the few crossing points during the ‘events’, (happenings, occurrences... the ‘war’); Mathaf: فحتم /Place du Musée/ the ‘museum crossing’, across from La tombe du Soldat Inconnu/The Tomb of the Unknown Soldier/ لوهجلما يدنجلا ربق, ( Corniche El Mazra/Rue Damas) Beirut, 1992.
5 at what was once one of the few crossing points during the ‘events’, (happenings, occurrences... the ‘war’); Mathaf: فحتم /Place du Musée/ the ‘museum crossing’, across from La tombe du Soldat Inconnu/The Tomb of the Unknown Soldier/ لوهجلما يدنجلا ربق, ( Corniche El Mazra/Rue Damas) Beirut, 1992.
Jayce Salloum
1992
Photograph
Image Not Available for 26 impositions  verisimilitude of the nationless state.... (i.e. residue + effacement), movie posters, west end of Hamra St., Beirut, 1992.
26 impositions  verisimilitude of the nationless state.... (i.e. residue + effacement), movie posters, west end of Hamra St., Beirut, 1992.
Jayce Salloum
1992
Photograph
Image Not Available for ..fleeting moments.. Local Colour, Honest Ed’s, Toronto, 1982
..fleeting moments.. Local Colour, Honest Ed’s, Toronto, 1982
Jayce Salloum
1982
Photograph
Image Not Available for 54 laundry, late afternoon a day like this the massacre took place, remnants and reminders being lived in on through, one of many in the history of Palestinian displacement Shatilla refugee camp, 1992.
54 laundry, late afternoon a day like this the massacre took place, remnants and reminders being lived in on through, one of many in the history of Palestinian displacement Shatilla refugee camp, 1992.
Jayce Salloum
1992
Photograph
Image Not Available for recurrent shapes, patterns askewed, San Francisco, 1980
recurrent shapes, patterns askewed, San Francisco, 1980
Jayce Salloum
1980
Photograph
Image Not Available for fluid enclosure…off Richmond St. W., Toronto, 1981
fluid enclosure…off Richmond St. W., Toronto, 1981
Jayce Salloum
1981
Photograph
Image Not Available for to work, roast corn cart vendor, Tainan, Taiwan, 1/23/18 [DSC6377]
to work, roast corn cart vendor, Tainan, Taiwan, 1/23/18 [DSC6377]
Jayce Salloum
2019
Photograph
Image Not Available for lost in translation – no es posible, Museo Provincial Ignacio Agramonte, Camaguey, Cuba, 1/4/17 [DSC0347]
lost in translation – no es posible, Museo Provincial Ignacio Agramonte, Camaguey, Cuba, 1/4/17 [DSC0347]
Jayce Salloum
2019
Photograph
Image Not Available for still lives still life, Syrian refugee asylum centre, Salzburg, Austria, 7/28/15 [DSC9055]
still lives still life, Syrian refugee asylum centre, Salzburg, Austria, 7/28/15 [DSC9055]
Jayce Salloum
2019
Photograph
Image Not Available for future soles, sandal/shoe shop, Bucerias, Mexico, 1/24/19 [IMG_20190124_172007 ]
future soles, sandal/shoe shop, Bucerias, Mexico, 1/24/19 [IMG_20190124_172007 ]
Jayce Salloum
2019
Photograph
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